Today is Sunday, August 20, 2017

True Grit remake touches home in Tennessee

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Pickard’s son, John, and granddaughter, Dana McSpadden, shared a few emories last week about their family’s Hollywood connection and showed several mementoes from Pickard’s career in the Big Apple and on the big and small screens. 

Above a fireplace in the front bedroom of the house, which was built by John Pickard III’s great-great-grandfather, Samuel Read Rucker, sits a handsome, silver loving cup inscribed: Presented by Major Bowles to John Pickard, Winner Paramount-W.L.A.C. amateur contest, Sept. 2, 1935.

The Lascassas High School graduate, who studied music at the Nashville Conservatory and briefly attended Middle Tennessee State University, won the contest at the age of 22 after his singing performance of “I’ll Take You Home Tonight Kathleen.”

About four years later, the talented and lucky Pickard won $400, which proved his ticket to New York City.

“He won the money during bank night at a movie theater and with it went to New York and hooked up and got into plays,” said his son, who has been in the building material business since 1977 and operates J&M Supply on Highway 231 just north of the Stones River bridge in Walter Hill.

“He went to New York around 1939 and modeled and did some plays,” said Dana, who teaches at Smyrna Elementary School. “The big deal was he was over 6 feet, blond and had a little-bitty waist. He had the look, I guess, and a very distinctive voice.”

As a model Pickard appeared in a 1942 war bond poster and also served as Christopher Columbus in a large, colorful illustration that celebrated the 450th anniversary of the explorer’s discovery of America. A framed copy of that “Liberty Lives On” poster, painted by Howard Chandler Christie, dominates a place above the mantel in the bedroom beside the loving cup.

From 1943 to 1946 Pickard served in the Navy spending much of his time on Guam in the South Pacific where he performed in USO shows. After the war, “He went to California and got his first little part in ‘The Wake of the Red Witch,’” recalled John of his father’s debut movie appearance in 1948 as a diver in a John Wayne sea adventure.

The early years as an actor saw Pickard in bit roles, often uncredited, and mostly in horse operas and action flicks. With the advent of television, he found more work before the cameras in the early 1950s in cop and detective series, such as “Boston Blackie” and “Racket Squad,” and by the mid-1950s he was popping up in a variety of shows from “Hopalong Cassidy” to “Dragnet” to “My Friend Flicka.”

His biggest shot at stardom came in the 1957-1959 syndicated western series, “Boots and Saddles,” as he played the lead role of Capt. Shank Adams, a part he knew well as he had portrayed plenty of cavalrymen over the years.

Working with Pickard in the first 13 episodes of this series was actor-singer-songwriter Johnny Western. Western wrote the theme to TV’s “Have Gun—Will Travel” and is the voice viewers hear singing the song during the show’s closing credits.

“We did “Boots and Saddles” together on location in Kanab, Utah. It was the story of the 5th cavalry,” said Western last week over the phone from his home in Mesa, Ariz. “John was a real Southern gentleman. I always thought that if you closed your eyes and heard him speak on the screen, he sounded a lot like Randolph Scott. He was a very physical guy who kept in great shape and was fun to work with. He was darn good in the saddle and very good with the guns.

“I never heard a harsh word from him. He always seemed to have everything under control, never a down side. I really liked to be around John. He was a good friend,” Western said.

While Pickard was to be a guest in about a dozen episodes of TV’s longest-running western,

“Gunsmoke,” ironically, he may never have realized how close he came to getting the main role.

“He was almost Marshal Dillon. He messed up a love scene with Miss Kitty,” said Dana, referring to an article in TV Guide where the show’s producer-writer Charles Marquis Warren divulged that Pickard nearly captured the part that made James Arness famous, saying, “Pickard never knew how close he came to immortality.”

“He liked working on ‘Gunsmoke,’ and he liked Sheb Wooley (of “Rawhide”). He liked to work with Wayne,” John said.

Before his career was finished, Pickard made three John Wayne films: “Wake of Red Witch,” “Chisum” and “True Grit.” Through the 1960s, ’70s and ’80s, he was a guest on such TV shows as “Lassie,” “Perry Mason,” “Ben Casey,” “Tarzan,” “Ironside,” “The Twilight Zone,” “Mission: Impossible,” “Mannix,” “Kojak,” “Time Tunnel,” “Little House on the Prairie” and “Cannon,” and made his final TV appearance on an episode of “Simon & Simon” in 1987.

Tragically, he died Aug. 4, 1993, at 80 in an accident on the farm where he was born. “He was here when he got killed in a lot by a bull,” his son said. The actor is buried not far from the house in a family cemetery.

Among other souvenirs of Pickard’s Hollywood career, his son has scrapbooks filled with glossy photos and newspaper clippings that reflect his father’s work. He possesses several Dell comic books of Boots and Saddles with his father’s image on the covers, and he has a half dozen or so of his father’s western movies on VHS. Perhaps the most treasured heirloom is the “True Grit” coffee mug, embossed with the title and an illustration of John Wayne, Kim Darby and Glen Campbell. On the back of the mug are the words, “To John, from Duke.”

“I saw all of his other movies but I really liked ‘True Grit,’” John said.

Will he go see the new version?  “I don’t know. I might,” grinned John at the thought.

“I hope to,” Dana said. “But the girl (actress Hailee Steinfeld) seems so young and so little.”

“We thought he was a big man, and when he got into these movies with other people he wasn’t that big,” said John of his 6-foot-tall father, who worked in just about every western TV series there was but never latched onto that one big role that could have made him a household name.       

“When you look at pictures of him as a young man, he was a handsome man. He had a distinctive voice. We could be in the other room and hear his voice and know it was him, but you better come quickly because he’d be gone,” said Dana of her family’s thespian contribution to the Golden Age of Television.

Ken Beck may be contacted at

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